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Billy Buss & B-Squared Jazz Productions
@B_squaredJazzProductionsTracked since May 2026
Creating High Quality Educational Resources for Jazz Enthusiasts.
Observed Aug 30, 2026 · staleModeled revenue
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Starting price
$7/mo
4 membership tiers
Pricing and benefits captured publicly
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$0/moFreePublic prices and benefits only
$7/mo🎺 Studio Access🎺 Studio Access — $7 / monthObserve, listen, and absorbWeekly or biweekly posts following my collegiate and private teaching on:Brass technique & efficiencyImprovisation and Composition techniquesPractice philosophy and problem-solvingSelected excerpts from the method book and studio materialsAccess to archived posts and discussionsBest for players who want structured insight without direct interaction.
$22/moFULL ACCESS - LEVEL UP! Monthly$5b
$60/moGuided Study UpgradeFULL ACCESS tier upgraded with a monthly customized lesson plan with practice materials (PDFS, mp3s, etc) designed to help you achieve your specific goals. Topics include, but not limited to: Classical Brass Technique (dial in those chops!)Jazz Improvisational Concepts (Traditional, Bebop, Modern, Avant Garde)Contemporary CompositionMotivic Development in Composition and Improvisation
Growth signals: Billy Buss & B-Squared Jazz Productions
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MembershipLast observed 2026-08-30. Not enough recent observation yet for a 30-day reading.
232
May 202618 weeks trackedNow
Billy Buss & B-Squared Jazz Productionsmembers unavailable · revenue unavailable
The chart only uses Billy Buss & B-Squared Jazz Productions's observed public history. Comparison peers are listed below, but comparable trend series are not available yet.
Where Billy Buss & B-Squared Jazz Productions ranks
Creator comparisonsCompare within
Not enough data1 of 5 cohort creators measured
Paid members in Recommended cohort
Semantic matches are not ready, so this fixed cohort uses the best available category, audience, pricing, and cadence evidence.
Billy Buss & B-Squared Jazz Productions does not yet have a measured paid-member count. 1 of 5 cohort creators are measured for this metric.Ranking data · includes stale rows| Rank | Creator and why included | Paid members | Gap vs Billy Buss & B-Squared Jazz Productions | Freshness |
|---|---|---|---|---|
| Not ranked |  Anime AddyVideoCategory, audience, pricing & cadence | 1 | Not comparable | Aug 31, 2026 |
| Not ranked |  Billy Buss & B-Squared Jazz ProductionsProfileVideoPaid members position in Recommended cohort | Not measured | Reference | Aug 30, 2026Stale |
| Not ranked |  3dstock777ArtCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 31, 2026 |
| Not ranked |  AzatazenVideoCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 30, 2026 |
| Not ranked |  b00q00VideoCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 30, 2026 |
The rank uses the full fixed cohort. This table shows up to five creators around Billy Buss & B-Squared Jazz Productions; the coverage summary above still counts everyone.
Recent posts
What they publish77Posts total1 postLast month91.7%Members-only
Previews available for 77 posts
Article Latest post$7 tier & upConcept, Style and Form Book 2: F HornIntermediate Jazz Improvisation Concepts: Bebop Language, Forward Motion & Modern Harmonic Vocabulary This Intermediate Jazz Improvisation b
August 20 0 likes 0 commentsTargeting Specific Tensions - Alternate Diminished Voicings in Improvisation and CompositionIn our previous example outlining the targeting of specific tensions using voice leading on dominant-function harmony, diminished seventh stArticleMay 27$7 tier & up 0 0
Targeting Tensions - Arpeggios and Voice LeadingThe following exercises employ four-way close piano voicings (with 9-->1, read " 9 for 1" in which the root is replaced by the 9th) and theArticleMay 27$7 tier & up 0 0
Scale Awareness ExercisesThrough the following exercise, the student will cultivate greater familiarity with the tones available within a given harmonic structure (rArticleMay 27$7 tier & up 0 0
Arpeggio Pyramid PracticeIn the following exercise, the student should employ a “pyramid” method in the practice of arpeggiated figures within a given harmonic qualiArticleMay 26Public 0 0Changing Color with One Note (4-Note Groupings)This exercise is what I call a “Color Changing” exercise—a concept built around sustaining a single note while systematically altering the sArticleMay 25$7 tier & up 0 0
Pentatonic PermutationsThe study of pentatonic scales serves as a highly effective means of expanding both compositional and improvisational vocabulary through cleArticleApril 20$7 tier & up 0 0
Pentatonic SweepsThe study of pentatonic scales serves as a highly effective means of expanding both compositional and improvisational vocabulary through cleArticleApril 20$7 tier & up 0 0
The Art of Sightreading: Tonal Awareness and Pattern RecognitionThis excerpt comes from a comprehensive guide on mastering sight-reading and sight transposition through a deeply practical, musician-centerImageApril 20$7 tier & up 0 0
Lady Bird / Half Nelson Improvisation EtudeThis etude, a based on chord changes to “Ladybird” by Tadd Dameron, and more specifically "Half Nelson" - a contrafact by Miles Davis (chromArticleMarch 30$7 tier & up 0 0
Lip Flexibilities: The Power of Coordinated CompressionThis document presetns studies using high-intensity lip flexibility patterns to develop coordination between tongue level, air compression,ArticleMarch 11$7 tier & up 0 0
Preview! Intermediate Improvisation Techniques - "All The Things You Are"🎶 New Improvisational Etude over All the Things You Are 🎶 Three full choruses showing how to build a solo from the ground up: • Chorus 1 – GArticleMarch 11$7 tier & up 0 0
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