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Clinton Davis - Guitar
@clintondavisguitarTracked since May 2026
New Arrangements of Oldtime, Ragtime, Early Jazz for Solo Guitar.
Observed Aug 26, 2026 · staleModeled revenue
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growth unavailable
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not publicly listed
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$5/mo
3 membership tiers
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$0/moFreePublic prices and benefits only
$5/moTip JarThis tier is basically a tip jar to show thanks and support.
$20/moFull AccessThis tier will gain you access to all video and tab postings. Each month there will be two. I'll aim for one being performance/tab based, and the second being more focused on ideas, concepts, and approaches to playing.
Growth signals: Clinton Davis
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MembershipLast observed 2026-08-26. Not enough recent observation yet for a 30-day reading.
010
May 202618 weeks trackedNow
Clinton Davismembers unavailable · revenue unavailable
The chart only uses Clinton Davis's observed public history. Comparison peers are listed below, but comparable trend series are not available yet.
Where Clinton Davis ranks
Creator comparisonsCompare within
Not enough data0 of 7 cohort creators measured
Paid members in Recommended cohort
Semantic matches are not ready, so this fixed cohort uses the best available category, audience, pricing, and cadence evidence.
Clinton Davis does not yet have a measured paid-member count. 0 of 7 cohort creators are measured for this metric.Ranking data · includes stale rows| Rank | Creator and why included | Paid members | Gap vs Clinton Davis | Freshness |
|---|---|---|---|---|
| Not ranked |  Clinton Davis - GuitarProfileWritingPaid members position in Recommended cohort | Not measured | Reference | Aug 26, 2026Stale |
| Not ranked |  Claire MarlattWritingCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 26, 2026 |
| Not ranked |  Classic IndyCar SeriesWritingCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 26, 2026 |
| Not ranked |  Clavers OdhiamboWritingCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 26, 2026 |
| Not ranked |  Clayton MarchWritingCategory, audience, pricing & cadence | Not measured | Not comparable | Aug 26, 2026 |
The rank uses the full fixed cohort. This table shows up to five creators around Clinton Davis; the coverage summary above still counts everyone.
Recent posts
What they publish39Profile posts1 postLast month100%Members-only
Previews available for 32 of 39 posts
Article Latest post$5 tier & upGood Gravy Rag, pt 1August 17 Good Gravy Rag pt 1 - for patreon .tef.pdf Unlock with membership Buy post $10 1 Share Gift
August 17 0 likes 0 commentsThree Common Technical Problems In The Fretting HandAugust 3 In this post I'll talk about three technical problems for the fretting hand that come up the most often in my private lessons with guitar students. This is a real deep dive on how to think about your fretting hand: how it should feel, how we often make things harder for ourselves than we need to, and how to build good muscle-memory habits for a technique that allows you to move around with ease on the instrument. The specific concepts I'll talk about could be summed up as: pressure, release, and grouping... When you become a member, you get instant access to exclusive posts and benArticleAugust 3$5 tier & up 3 2Scott Joplin's Magnetic Rag, pt 2Magnetic Rag patreon - pt 2 - Scott Joplin.tef.pdfArticleJuly 20$5 tier & up 0 0Scott Joplin's Magnetic Rag, pt 1July 6 Magnetic Rag patreon - pt1 - Scott Joplin.tef.pdf Unlock with membership Buy post $10 6 Share GiftArticleJuly 6$5 tier & up 0 0Moving tunes from Banjo to GuitarJune 15 As a teacher of both old time guitar and banjo styles, I've noticed a kind of approach to the fretboard that seems to have been shared on both instruments at times. I'm talking about "parlour guitar"-style pieces like Spanish Fandango or Vastapol, which are classics of old time guitar repertoire. Guitar tunes like these used open tunings like Open G or Open D. Traditional banjo playing makes use of numerous tunings, some of which correlate to the tunings used by guitarists in this parlour tradition, which makes it easy to translate melodies from one instrument to the other. I'll show some examples...ArticleJune 15$5 tier & up 2 6Marching JaybirdJune 1 Marching Jaybird for patreon.pdf Unlock with membership Buy post $10 2 1 Share GiftArticleJune 1$5 tier & up 2 1Caribbean / Habeñera / Spanish-Tinge RhythmMay 18 Over the last year or so I've enjoyed exploring a thumb/accompaniment rhythm that has its roots in Caribbean folk music, and has historical connections to ragtime and early jazz music. Jelly Roll Morton, who grew up in a New Orleans shaped by Caribbean immigration, called this rhythm the "Spanish Tinge" and said it was essential to jazz. I'll show you the rhythm, give you some exercises, link some examples you can listen to, and talk about how you can impose this rhythm on potentially any melody... spanish tingeArticleMay 18$5 tier & up 4 1Maple Leaf Rag, pt 2Here are the third and fourth strains of Scott Joplin's "Maple Leaf Rag." I got more creative with these sections, adapting the melodies with a rhythm that Jelly Roll Morton would have called a "Spanish Tinge." ...ArticleMay 4$5 tier & up 0 0Two Paradigms of Ragtime GuitarApril 18 I think of "Ragtime Guitar" as having two very distinct paradigms with completely different histories, different musical goals, different iconic players, and different techniques. Taking a minute to understand those differences, I think, can help you better understand what you like as a guitar player, and understand what your own priorities might be if you like to arrange tunes for guitar yourself. I'll explain how I think about these two different paradigms or approaches, and give you some links below in the paid section to recordings that I think demonstrate the different musical values I talk about... To access this whole post, join Patreon todaArticleApril 18$5 tier & up 4 2Maple Leaf Rag, pt 1April 6 Here it is, the "final boss" of ragtime tunes. The Maple Leaf Rag by Scot Joplin is of course one of the most well-known pieces of ragtime music. This is my own arrangement, and I think I'll share some extended thoughts on this tune, and different ragtime guitar paradigms in a future video. I tried to draw inspiration from Joplin's original composition of course, but tried to also follow the example of players like Gary Davis, who also adapted this tune for guitar but also made the tune fit into his own personal style, and within the limitations of the guitar itself... When you become a member, you get instant accArticleApril 6$5 tier & up 0 0Ragtime Form: AABA formHere's my breakdown of another form commonly used in ragtime and rag-adjacent styles. Like I did in my previous lesson, I'll break this form down using basic chords in the key of C, and post a tab of that. Then I'll provide links to a bunch of different pre-war artists using this...ImageMarch 23$5 tier & up 2 1Down Among The Sheltering PalmsDown among the the sheltering palms - PATREON.tef.pdfArticleMarch 9$5 tier & up 5 4
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