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Article Latest post $3 tier & upView 0 comments The new VTE virtual set...
April 16
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April 16 0 likes 0 comments32-bit Float Recording Is (Technically) a Lie - Video Tech Explained 32-bit Float Recording Is (Technically) a Lie - Video Tech Explained
February 16
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I can't wait to see the comments on this one. Video February 16 Public 0 0How Cameras Scale Images, and Why It Matters How Cameras Scale Images, and Why It Matters Jul 28, 2025 View post Image Jul 28, 2025 Public 0 0Rec.709 BT.1886 (Generic).dctl Hello again all. With the release of ACES 2.0 in Resolve, I decided to take some time to revisit my custom Rec.709 input transform. If you'l... Article May 8, 2025 $3 tier & up 0 0DJI D-Log M.dctl As promised, here are the DCTLs that I created for DJI D-Log M. One is an ACES IDT designed to be used with ACES color management in Resolve... Article Feb 13, 2025 $3 tier & up 0 0View 0 comments The new VTE virtual set...
April 16
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Locked Article April 16 $3 tier & up 0 032-bit Float Recording Is (Technically) a Lie - Video Tech Explained 32-bit Float Recording Is (Technically) a Lie - Video Tech Explained
February 16
View post
I can't wait to see the comments on this one. Video February 16 Public 0 0How Cameras Scale Images, and Why It Matters How Cameras Scale Images, and Why It Matters Jul 28, 2025 View post Image Jul 28, 2025 Public 0 0Rec.709 BT.1886 (Generic).dctl Hello again all. With the release of ACES 2.0 in Resolve, I decided to take some time to revisit my custom Rec.709 input transform. If you'l... Article May 8, 2025 $3 tier & up 0 0DJI D-Log M.dctl As promised, here are the DCTLs that I created for DJI D-Log M. One is an ACES IDT designed to be used with ACES color management in Resolve... Article Feb 13, 2025 $3 tier & up 0 0